Frank Gerritz Interview

Abstract Possible: The Birmingham Beat

Gillian Ayres: Paintings from the 50’s

Turner, Monet, Twombly: Later Paintings, Tate Liverpool

Closeness

Attention to Detail: Abstraction in an era of High Definition

Tess Jaray at The Piper Gallery

What’s Abstract about Art

Wyatt Kahn at the Hannah Barry Gallery

Eric Bainbridge: Steel Sculptures

Michael Kidner: Dreams of the World Order: Early Paintings

Twombly and Motherwell – Painting, Prints, Photographs and High Culture

Richard Diebenkorn: A Door Opened

Georges Vantongerloo and the Anxiety of Meaning

The Viewer and The Grid

Frank Bowling Interview

Simon Callery Interview

Sol-Space and the Question of Integrity in Abstract Painting

About Caro

Para-painting and Transactional Art

Minimal Myth: Interview with Francesco Stocchi

The Snail: late Matisse in context

Mapping the Grid

Otto Piene at Mayor Gallery

Bonfanti and Bowling: Brief notes on two very different exhibitions of abstract art

Mike Meiré: Economy of Attention

Karl Hyde: What’s Going On In Your Head When You’re Dancing?

In Astratto: Abstraction in Italy 1930-1980

Double Vision At the Lion & Lamb Gallery

Painting round the degree shows

Pour, Drop, Roll, Slide, Drip

The Screen and the Workshop: Robert Holyhead and Geoffrey Rigden

Henry Moore : Late Large Forms at Gagosian King’s Cross

Fiona Rae: Maybe you can live on the moon in the next century

Accessing the Abstract: The Art of Iain Robertson

Yes, but I don’t know why

Clare Price: New Paintings

Phyllida Barlow: Bad Copies

John Bunker (Collage Part Two)

Francis Davison (Collage Part One)

Natalie Dower: Line of Enquiry

Now or Else: Charline Von Heyl

Mondrian // Nicholson: In Parallel

In the studio with Albert Irvin

Damien at Tate: the Revenge of Subject Matter

Rosa Lee and Sarah Dwyer

Garth Evans: Evolving Constructions

Some thoughts on Grids

Abstract Paintings by Carmen Herrera

Beyond Time: William Turnbull

Danny Rolph & Michael Stubbs

Abstraction again? by Charles Darwent

Alberto Burri: Form and Matter

Mary Heilmann at Hauser & Wirth

Joan Mitchell, The Last Paintings, A Tribute

Gary Wragg: Positive Provisional

Ha Ha What Does This Represent?

Alan Gouk on his painting

Anthony Caro

In the studio with… Vincent Hawkins

Disciplined and Polished or Burn, Burri, Burn!

The Indiscipline of Painting: An Email Interview with Daniel Sturgis

William Tucker in conversation

In the studio with…. Lee Marshall

United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s

Damien Hirst: The Complete Spot Paintings 1986 – 2011

An Uncomfortable Armchair

What Paint Does

Lines, stripes, and squares

Creative – Basil Beattie: Taking Steps 1986-2009

Monuments

Pretty Ugly: On Not Hating Jonathan Lasker

In the studio with… Bill Leslie

The Object Shifts – Shahryar Nashat’s Factor Green

Richter Scale

Welcome To Inter-Stella-Space! – The Good, The Bad And The Baroque….

Collecting for Power and Pleasure

Luke Elwes discusses Robert Motherwell’s work with Sam Cornish

Abstract Art Collecting, with Doris Saatchi, John Pluthero and Matthew Collings

Bad Infinity

Talking Art: Marcus Harvey

Is Richter for Real?

Two and a Half Dimensions: To Charge With Reality

Clifford Charles talking to Julie McGee

Rock and a Hard Place

‘What you see is… a mess, Frank’

Digital Drawing: from Zero to Hero

Twombly & Poussin at the Dulwich Picture Gallery

From Abstract to Abject

abstract criticalDebate at Mummery and Schnelle Gallery

A Wrong Turn? : Cecily Brown at Gagosian

Purism Off Kilter: Stephen Westfall as painter and curator

Bowling’s Cru: Live abstract critical event

Minimalism and Abstract Expressionism – the Gap Between?

The Abstract-ness of Poussin

In the studio with… Alice Browne

The Minimal Gesture

In the studio with… Kate Terry

In the studio with… Karl Bielik